Dance Theatre in Ireland

Dance Theatre in Ireland

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This book provides the first critical and contextual study of contemporary and historical dance theatre in Ireland. Since the arrival of the traditional dance spectacular Riverdance in 1994, Irish dance has not only become a topic of global interest, but also a subject of heated debate. The emergence of companies such as CoisCAcim Dance Theatre and Fabulous Beast Dance Theatre in the mid-1990s marked an important turning point in Irish dance practice that once again provoked a re-thinking of the perception of the dancing body and its position within Irish performance culture. McGrath's study examines how groundbreaking dance theatre works have tackled some of the most urgent and difficult socio-political and cultural questions in Ireland, and how in doing so they have re-imagined seemingly hermetic narratives of oppression and limiting definitions of 'Irish' corporeality. This study provides a timely reading of these revolutionary moves.See for example Bernadette Sweeney, Performing the Body in Irish Theatre ( Basingstoke: Palgrave Macmillan, 2008), Michael Seavera#39;s ... Theatre in Ireland, ( Dublin: The Liffey Press, 2006) and Karen Frickera#39;s essay, a#39;Traveling Without Movinga#39;, in Dermot Bolger (ed.) ... and Shea Murphy (eds), Bodies of the Text: Dance as Theory, Literature as Dance (New Jersey: Rutgers University Press, 1995)).

Title:Dance Theatre in Ireland
Author: Aoife McGrath
Publisher:Palgrave Macmillan - 2013

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