Point of View in the Cinema

Point of View in the Cinema

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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to qnaturalizeq style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.20a€”21; for relevant quotes by Nash, Nowell-Smith, and Willemen, see ch. 1, sec. 3 and 4; citations ... This is Todorova#39;s principle essay on embedding; other essays which discuss embedding include a€œLanguage and Literaturea€, p. 21; a€œPrimitiveanbsp;...

Title:Point of View in the Cinema
Author: Edward Branigan
Publisher:Walter de Gruyter - 1984-01-01

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